BAD BENSON (1974)

Leaving that soul-jazz behind and bringing some nitty-gritty attitude with the mean "Bad Benson". Check the intense "Take Five" as Mr. Benson´s fast fingers add some action into Dave Brubeck´s everlasting classic.

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Peace. Out.

TORTOISE (1994)

Tortoise's self-titled debut incorporates many musical styles and influences and combines them into one very distince sound. So distinct that sometime after the release of this record they became recognized as the leaders of a new musical movement. Tortoise exploits the recording studio, in that they utilize the recording process as a compostional tool or "sixth member", thus creating a boundless parameter in which to create music. Recorded at Idful Studios by John McEntire.

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Peace. Out.

Moacir Santos - The Maestro 1972

One of the main Brazilian arrangers, having renovated the country's harmonic language in the '50s, the underrated Moacir Santos had nevertheless a highly influential role as he had as his pupils, in the '60s: Paulo Moura, Oscar Castro-Neves, Baden Powell, Maurício Einhorn, Geraldo Vespar, Bola Sete, Sérgio Mendes, Dom Um Romão, João Donato, Roberto Menescal, Carlos Lyra, Dori Caymmi, Airto Moreira, and Flora Purim, among others. In 1968, he was admitted into Henry Mancini's cinema music writing team and, four years later, he launched his first album in the American market, The Maestro, which was nominated for a Grammy award

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MASERATI / ZOMBI - SPLIT (2009)

This is 100% pure kick ass. Both Zombi and Maserati are impressive bands, but be prepared to some heavy synths and delayed guitars with both Maserati´s tracks. Straight from the LP!

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Peace. Out.

Esperanza Spalding Group - Stockholm Jazz Festival ( 2008 )

"She had a lot to say and was also unlike any musician I had ever run across before. Her unique quality is something that goes beyond her pretty amazing musical skills. She has that rare 'x' factor of being able to transmit a certain personal kind of vision and energy that is all her own" - Pat Methany

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Enjoy!

Millions Now Living Will Never Die (1996)

Tortoise's production expertise hit an early peak with Millions Now Living Will Never Die, a work that not only references studio-centric forms like dub and electronica, but actively welds them to the group's aesthetic of sturdily constructed indie rock. The centerpiece is the 21-minute opener "Djed," a multi-part track which brought Tortoise's already impressive compositional abilities to a grand scale. It's almost a history of influences in miniature, first referencing tape music and dub for several minutes, then moving on to Krautrock with a chugging section incorporating wheezing organ and understated guitar chords. Halfway through, the band takes on minimalism with repeating figures of organ and vibes, then return to the green fields of their debut with a final few minutes of moody indie rock (though even this is spiced with a scratchy rhythm and various noise effects). With "Djed," Tortoise made experimental rock do double duty as evocative, beautiful music. The other songs on Millions Now Living are hardly afterthoughts, though; highlights "Glass Museum" and "The Taut and Tame" display the band quickly growing out of the angular indie rock ghetto with exquisite music, constructed with more thought and played with more emotion, than any of their peers. - Allmusic

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Peace. Out.

Bass Extremes - Cookbook (1998)

Featuring Victor Wooten ( bass ) and Steve Bailey ( fretless bass ) and Derico Watson ( drums )

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Hail the low frequency!